Conservatory of Music
Woodwind, Brass, & Percussion
Faculty
Mathew T. Krejci
Lecturer in Flute, 1989.
M.M., Indiana University, 1978;
B.M.Ed., Indiana University, 1973.
Student of James Pellerite and Maurice Sharp.
Thomas F. Nugent
Lecturer in Oboe, 1990.
B.M., San Francisco Conservatory of Music, 1984.
Student of Marc Lifschey.
Patricia Shands
Professor of Clarinet, 1995.
D.M.A., Rice University, 2001;
M.M., University of Southern California, 1985;
B.M., Peabody Conservatory of Music, 1981.
Student of David Shifrin, Mitchell Lurie, and David Peck.
Nicolasa Kuster
Assistant Professor of Bassoon, 2008
B.A., B.M., Oberlin College Conservatory of Music.
Student of George Sakakeeny and Bruce Grainger.
David Henderson
Lecturer in Saxophone, 2007.
B.M., University of Michigan;
M.M., Juilliard School.
Student of William Fread, Larry Teal, Donald Sinta, Joe Allard and Jean-Marie Londeix.
Jennie Blomster
Lecturer in Horn, 2005.
M.M., California State University-Fresno, 2005;
B.M., University of Denver
Student of Thomas Hiebert, Richard Seraphinoff, David Krehbal, David Knappy, John Keene and David Kaslow.
Leonard Ott
Lecturer in Trumpet, 1998.
B.A., California State University, Hayward, 1987.
Studied with David Burkhart, Marvin Nelson, Laurie McGaw, and Roy Poper.
Stephen Perdicaris
Lecturer in Trombone/Euphonium, 1993.
Associate with Honors, Royal College of Music, London, 1990;
B.M., University of North Texas, 1981.
Student of Leon Brown, Mark Lawrence, and Carl Lenthe.
William Douglas Hunt
Lecturer in Tuba, 1989.
M.A., 1991; B.M., 1966, University of the Pacific.
Student of Arnold Jacobs and William Bell.
K. Allen Brown
Lecturer in Percussion, 1981.
M.M. Western Michigan University, 1972;
B.M. University of Oregon, 1969;
Student of David Shrader, Robert Tilles, and Thomas Siwe.
Course Requirements
Bachelor of Music, Major in Performance:
Woodwinds, Brass, Percussion
In order to earn the bachelor of music degree with a major in performance (woodwinds, brass, and percussion), students must complete a minimum of 124 units with a Pacific cumulative and program grade point average of 2.0.
I. Major Requirements:
| Class | Title | Units |
|---|---|---|
| MCOM 010 | Music Theory and Aural Perception I | 4 |
| MCOM 011 | Music Theory and Aural Perception II | 4 |
| MCOM 012 | Music Theory III: Chromaticism | 2 |
| MCOM 013 | Aural Perception III | 1 |
| MCOM 014 | Introduction to Orchestration | 2 |
| MCOM 015 | Music Theory IV: Twentieth Century | 2 |
| MCOM 016 | Aural Perception IV | 1 |
| MCOM 017 | Form and Processes in Music | 2 |
| MHIS 011 | Survey of Music History I | 3 |
| MHIS 012 | Survey of Music History II | 3 |
| MHIS 013 | Survey of Music History III | 3 |
| MPER 151 | Principles of Conducting | 2 |
| Four units of one or a combination of the following courses: | 4 | |
| MAPP 001 | Applied Music: Piano | |
| MAPP 005 | Applied Music: Piano | |
| MPER 060 | Chamber Ensemble | 8 |
| Note: MPER 060 is to be taken every semester. | ||
| MPER | 2 semesters of Major Choral Ensemble | 2 |
| MPER 153 | Instrumental Conducting | 2 |
| MHIS 140 | Symphonic Literature | 3 |
| MHIS 142 | Chamber Music Literature | 3 |
| MCOM 113 | Advanced Analysis | 3 |
| One of the following courses: | 3 | |
| MCOM 108 | Counterpoint | |
| MCOM 109 | Advanced Orchestration | |
| One of the following courses: | 3 | |
| MHIS 150 | Medieval Music | |
| MHIS 151 | Music in the Renaissance | |
| MHIS 152 | Music in the Baroque | |
| MHIS 153 | Classical Studies | |
| MHIS 154 | Romantic Studies | |
| MAPP 012 | Applied Music | 8 |
| Note: MAPP 012 is to be repeated to have a total of 8 units from this one course. | ||
| MAPP 112 | Advanced Applied Music for Performance Majors | 16 |
| Note: MAPP 112 is to be repeated to have a total of 16 units from this one course. | ||
| MPER 050 | Solo Class | 0 |
| Note: MPER 050 is to be taken every semester. | ||
| Half recital during the Junior year. | ||
| Full recital during the Senior year. | ||


